<\/section>

Visual artist graduated from Universidad de los Andes (2015), with an MFA from the California Institute of the Arts (CalArts, 2018) and an MFA in Painting from Bard College, New York (2019). Her career has been recognized through various awards and grants, including first prize in the Fondo de Cultura Econ\u00f3mica Poetry Competition in Mexico (2022), the Felix Gonz\u00e1lez-Torres Fellowship for artistic research, and the Artistic Creation Project Development Grant for Young Visual Artists awarded by Colombia\u2019s Ministry of Culture (2021). She has participated in group exhibitions at venues such as the Bogot\u00e1 Chamber of Commerce, Galer\u00eda Santaf\u00e9, Galer\u00eda Neebex, and Proyecto Binario.<\/p>\n

Her artistic practice approaches vulnerability through feminist and gender studies perspectives, questioning imaginaries associated with security, sovereignty, and invulnerability. Through research- and creation-based projects, she explores issues related to sexual and gender-based violence in Latin America. Alongside her artistic work, she maintains an extensive academic practice as an educator and cultural manager. She currently teaches in the Visual Arts Program at Universidad El Bosque, where she leads continuing education initiatives and external engagement programs.<\/p><\/section>\t\t\n\t\t\t

Compartir:<\/h5>\t\t\n\t<\/a><\/a><\/a><\/a>\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t $\"\"$ \t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t Available works<\/a>","post_title":"Carolina Fandi\u00f1o","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"carolina-fandino","to_ping":"","pinged":"","post_modified":"2026-06-18 11:08:22","post_modified_gmt":"2026-06-18 16:08:22","post_content_filtered":"","post_parent":0,"guid":"https:\/\/emblematicartgallery.com\/?post_type=cpt_portfolio&p=21124","menu_order":0,"post_type":"cpt_portfolio","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":21072,"post_author":"9","post_date":"2026-06-05 16:44:08","post_date_gmt":"2026-06-05 21:44:08","post_content":"
Raquel Sof\u00eda Moreno (1999) is a draftswoman and illustrator. Born and based in Bogot\u00e1, she studied Visual Arts with an emphasis in Printmaking at the Pontifical Xavierian University in Bogot\u00e1. In 2022, she was awarded the Young Art Prize. In 2023, she completed an artist residency in Buenos Aires and participated in the exhibition En Tr\u00e1nsito<\/em>. That same year, she presented her first publication and solo exhibition, Apocal\u00edpticas<\/em>. In 2024, she held her second solo exhibition at Sketch Gallery in Bogot\u00e1, titled Un d\u00eda voy a ser otra distinta<\/em> (One Day I Will Be Someone Else<\/em>), where she explored mythical female figures through painting and drawing.<\/p>
She has worked on book and album cover art and has collaborated with various local and national magazines. Her practice is deeply informed by an interest in image reproduction and printmaking. She is particularly engaged with drawing and with representations of women and intimate experiences.<\/p>\t\t\n\t\t\t
Share:<\/h5>\t\t\n\t<\/a><\/a><\/a><\/a>\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t $\"\"$ \t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t Available Works<\/a>","post_title":"Raquel Sofia Moreno","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"raquel-sofia-moreno","to_ping":"","pinged":"","post_modified":"2026-06-05 17:37:20","post_modified_gmt":"2026-06-05 22:37:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/emblematicartgallery.com\/?post_type=cpt_portfolio&p=21072","menu_order":0,"post_type":"cpt_portfolio","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":21050,"post_author":"9","post_date":"2026-06-05 13:11:39","post_date_gmt":"2026-06-05 18:11:39","post_content":"
Helena is a Bogot\u00e1-based artist and cook. She studied art and culinary arts at different moments in her life, and both disciplines are deeply intertwined in her artistic practice.<\/p>
Her work is built through experimentation with a variety of materials and crafts: drawing, painting, woodworking, and cooking become both languages and methods of making. Through manual, repetitive, and sensory processes, she explores the transformation of matter, where acts such as cutting, mixing, assembling, and intervening play a central role in the construction of meaning.<\/p>
\n<\/p>
Nature is a constant source of inspiration in her work, partly due to her close connection to the countryside, which informs both the way she observes the world and the way she creates.<\/p>\t\t\n\t\t\t
Share:<\/h5>\t\t\n\t <\/a><\/a><\/a><\/a>\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t $\"\"$ \t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t Available Works<\/a>","post_title":"Helena Carulla","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"helena-carulla","to_ping":"","pinged":"","post_modified":"2026-06-11 09:25:00","post_modified_gmt":"2026-06-11 14:25:00","post_content_filtered":"","post_parent":0,"guid":"https:\/\/emblematicartgallery.com\/?post_type=cpt_portfolio&p=21050","menu_order":0,"post_type":"cpt_portfolio","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":20867,"post_author":"9","post_date":"2026-06-05 08:36:51","post_date_gmt":"2026-06-05 13:36:51","post_content":"In 2022, she earned a degree in Visual Arts from the Pontificia Universidad Javeriana, where she received a Meritorious Thesis distinction for her first film, I Left Strawberries in My Pocket Until the Day the Suns Go Out. In 2024, she completed an MFA in Painting at the New York Academy of Art, supported by the Elizabeth Greenshields Grant and the Academy Scholar Award. That same year, she undertook a residency at the University of Notre Dame in Kylemore, Ireland, and was awarded the Chubb Fellowship\u2014the highest honor granted by the New York Academy of Art to its alumni\u2014culminating in the Chubb Fellows Show 2025 (New York).
In 2025, she presented Las Dragonas at ARTBO | Salas (Bogot\u00e1), participated in M\u00ednima Expresi\u00f3n at Galer\u00eda Policroma (Medell\u00edn), took part in Chubb Fellows and Friends at the Green Family Art Foundation (Dallas), and exhibited at Art Basel 2024 and 2025 (Miami) for the second consecutive year through the Chubb Fellowship. In December 2025, she participated in Between Myth and Memory at 81 Leonard (New York), and in February 2026 in Lenguajes de Papel at Galer\u00eda El Museo (Bogot\u00e1, Colombia).
\u00a0\u00a0<\/section>\t\t\n\t\t\t
Compartir:<\/h5>\t\t\n\t <\/a><\/a><\/a><\/a>\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t $\"\"$ \t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t Available works<\/a>","post_title":"Manuela Caicedo","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"manuela-caicedo","to_ping":"","pinged":"","post_modified":"2026-06-05 13:04:32","post_modified_gmt":"2026-06-05 18:04:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/emblematicartgallery.com\/?post_type=cpt_portfolio&p=20867","menu_order":0,"post_type":"cpt_portfolio","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":19093,"post_author":"4","post_date":"2022-08-22 18:01:49","post_date_gmt":"2022-08-22 23:01:49","post_content":"
The artist Fernando de Szyszlo was born in 1925 and die in 2017 in Lima, Peru. De Szyszlo began to study architecture, nevertheless, he decided to live and started to study art at the Pontifical Catholic University of Peru. Later on, he would travel to Europe, and being there he would know firsthand abstractionism and, with the help of his friends Octavio Paz y Andr\u00e9 Breton, surrealism.<\/p>
When he returns to Peru his paintings were abstract, but over time he began to create his own artistic language. He would start to deal with Peruvian and Latin American issues through a non-representative style. De Szyszlo managed to reinterpret all the elements that he learned about surrealism from the Latin American context and establish a proper and collective identity.<\/p>
The paints of Fernando de Szyszlo create tensions between the primitive and the civilized, the magical and rational, the barbaric and refined, and the first world and the third world. His paint\u2019s rescues the pre-Columbian myth and the images from the non-representative and the use of muted colors.<\/p>\t\t\n\t\t\t
Share:<\/h5>\t\t\n\t <\/a><\/a><\/a><\/a>\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t $\"\"$ \t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t Available Works<\/a>","post_title":"Fernando de Szyszlo","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"fernando-de-syslo","to_ping":"","pinged":"","post_modified":"2026-06-05 12:29:53","post_modified_gmt":"2026-06-05 17:29:53","post_content_filtered":"","post_parent":0,"guid":"https:\/\/emblematicartgallery.com\/?post_type=cpt_portfolio&p=19093","menu_order":0,"post_type":"cpt_portfolio","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":19083,"post_author":"4","post_date":"2022-08-22 16:21:14","post_date_gmt":"2022-08-22 21:21:14","post_content":"
Vanessa Nieto Romero was born in Bogot\u00e1 in 1989, where she currently lives and works. She is an interdisciplinary artist whose practice focuses primarily on printmaking, sculpture, and installation. She studied Visual Arts at the National University of Colombia and earned an MFA in Printmaking from the Rhode Island School of Design. Since 2012, she has participated in numerous group exhibitions in cities such as Bogot\u00e1, New York, France, and Japan, and she is a co-founder of Taller Circular, a printmaking studio based in Bogot\u00e1. She currently teaches in the Fine Arts Department at the National University of Colombia.<\/p>
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Her work is characterized by an ongoing exploration of the relationship between the body and materiality, as well as an interest in the traces left by human experience on everyday objects. Through materials such as textiles, paper, discarded furniture, and urban debris, Nieto investigates their social, sensory, and symbolic layers, addressing themes such as labor, memory, and daily life. Through processes involving material transformation and sustained manual labor, her practice establishes connections between the physical and the symbolic, proposing reflections on the presence of the body\u2014particularly the female body\u2014within historical and social dynamics.<\/p>\t\t\n\t\t\t
Share:<\/h5>\t\t\n\t <\/a><\/a><\/a><\/a>\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t $\"\"$ \t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t Available Works<\/a>","post_title":"Vanessa Nieto","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"vanessa-nieto","to_ping":"","pinged":"","post_modified":"2026-04-21 17:09:05","post_modified_gmt":"2026-04-21 22:09:05","post_content_filtered":"","post_parent":0,"guid":"https:\/\/emblematicartgallery.com\/?post_type=cpt_portfolio&p=19083","menu_order":0,"post_type":"cpt_portfolio","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":19076,"post_author":"4","post_date":"2022-08-22 16:03:35","post_date_gmt":"2022-08-22 21:03:35","post_content":"
Alejandro Obreg\u00f3n was born in 1920 in Barcelona (Spain) and died in 1992 in Cartagena (Colombia). From a very young age he moved with his family to Barranquilla, later on he would study at the School of the Museum of Fine Arts from Boston and at the Llotja in Barcelona. After he completed his study's, he went to live in France, New York, and finally in 1944 returned to Colombia to participate in the V National Art Hall.<\/p>
Obreg\u00f3n arrives to Colombia with a particular, define and innovative style for the time. His paintings began to show brushstrokes and stains, where the color would be used in a more arbitrary way to be able to express with much greater force: diluted backgrounds contrasted with fully pigmented close-ups. In other words his paintings play with the figurative and abstract. As for the themes, Obreg\u00f3n began to represent what Alejo Carpentier called the \u201cRealismo magico\u201d: the reality behind appearances. In his canvas, Obreg\u00f3n recreate the reality, harmonically transforming the Colombian landscape while modifing human figures and giving animals a symbolic character, in order to create works full of magical imprint, and full of lyricism.<\/p>\t\t\n\t\t\t
Share:<\/h5>\t\t\n\t <\/a><\/a><\/a><\/a>\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t $\"\"$ \t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t Available Works<\/a>","post_title":"Alejandro Obregon","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"obregon","to_ping":"","pinged":"","post_modified":"2022-08-23 12:38:08","post_modified_gmt":"2022-08-23 17:38:08","post_content_filtered":"","post_parent":0,"guid":"https:\/\/emblematicartgallery.com\/?post_type=cpt_portfolio&p=19076","menu_order":0,"post_type":"cpt_portfolio","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":19059,"post_author":"4","post_date":"2022-08-22 15:24:37","post_date_gmt":"2022-08-22 20:24:37","post_content":"
The Great Depression of the 1930s, the impact on the economy, the marginalization of indigenous peoples, Afro-descendants, and labor exploitation are just a few of the events that have shaped the historical framework that will affect the development of Guayasam\u00edn's work. On the other hand, the fights for the working class and native peoples' re-independence were taking shape in Ecuador's intellectual environment, as they were in the rest of Latin America, and they would be mirrored in literature and the arts. The Second World War's horrors, the Mexican Revolution, the Spanish Civil War, and finally the danger of nuclear annihilation during the so-called Cold War<\/em> all made headlines on a global scale.<\/p>
The Ecuadorian artist will draw inspiration from his youth and the historical context surrounding the 20th century. His upbringing was marked by poverty and disrespect for his indigenous heritage. These components will infiltrate his artistic work, transforming it into a protest against injustice and the predatory exploitation of the most vulnerable people.<\/p>
Guayasam\u00edn earned his degree in painting and sculpture at the National School of Fine Arts in 1940. In 1942 he won the prize at the Mariano Aguilera National Salon. The Ecuadorian artist's dedication to socialist philosophy, indigenism, and the expressionist avant-garde is visible in his work. Due to the social condemnation of his paintings, the debut exhibition of the painter from Quito was surrounded by a significant amount of controversy. Impressed with Guayasam\u00edn 's paintings, Nelson Rockefeller, the man in charge of Inter-American affairs in the United States, buys five of them. Guayasam\u00edn visits the United States to showcase his work. Then he returns to Mexico to work as Jos\u00e9 Clemente Orozco's assistant, and meets Diego Rivera.<\/p>
He traveled from Mexico to Patagonia in 1945, experiencing firsthand the horrible poverty that pervaded most of Latin America. The series Huayca\u00f1an<\/em> (1952\u20131953), named after the Quechua word for \"The way of Tears,\" was the outcome of this journey and the encouragement of the intellectual Benjamin Carri\u00f3n (founder of the Casa de la Cultura Ecuatoriana). The series was composed of 103 pieces. In Huayca\u00f1an<\/em>, Guayasam\u00edn depicts the anthropology of the marginalization of indigenous, Afro-descendant, and mestizo communities, criticizing the excruciating pain and inhumanity endured by the most defenseless inhabitants of the continent while simultaneously glorifying their efforts and hopes.\u00a0 In this first series, the Ecuadorian painter creates a synthesis between the influence of Mexican muralism and his artistic personality, evolving towards a more avant-garde drawing of lines, colors, textures, and compositions, without abandoning expressionist figuration.\u00a0<\/p>
The Quite\u00f1o artist got numerous international awards after winning first place in painting at the III Bienal Hispanoamericana de Arte in 1956 and the Bienal de San Pablo in 1957.<\/p>
The Age of Wrath <\/em>is the title of Guayasam\u00edn's second television series, which he started around 1960. In it, he discusses the atrocities of human violence that occurred in the 20th century, including the barbarism of Nazi concentration camps, the massacres of the Spanish Civil War, the dictatorships that eroded freedom in Latin America, the nuclear bombings of Hiroshima and Nagasaki, and the invasion of Playa Giron in Cuba, among others. In addition, the Ecuadorian painter outlines the forms not only with the black lines of his brush but also with scratches that reveal the white base of the preparation of the painting. The hands of the master from Quito paint forms that become more rough and disembodied. His brushstrokes and, above all, the precise gestures of the spatula provide the pictorial matter forming strata that cover the tortured bone structure of his human figures with a skin of anguish.<\/p>
Sharp lines and colorful surfaces that are layered on the brisk beat of the master's spatula are used to shape the faces and hands, which are becoming increasingly dominant in the tortured anatomy depicted by the Quite\u00f1o artist. We can infer the brightness of a soul drenched in emotions from the black sockets of his characters' eyes. To represent the synthesis between the sensitivity that moves the artist's guts and the subject matter to be portrayed, the color palette is a crucial component of Guayasam\u00edn's visual language. The color of ochre and soils, black, icy and metallic blue, blood red typically accompanied by deep green, and the uncompromising hardness of gray are characteristics of the Age of Wrath<\/em>. We see the artist from Quito at his most mature in The Age of Wrath<\/em>.<\/p>
The Guayasam\u00edn Foundation was founded in 1976, and its establishment will aid in preserving the artist's legacy for Ecuador's cultural legacy. Along with his works, the Quito-based painter donates collections of ancient, colonial, and modern artwork. As a tribute to the memory of his mother, who was always his rock, the Ecuadorian artist created his series Mientras viva siempre te recuerdo<\/em>, also known as the Age of Tenderness<\/em>, in the 1980s. The loving figures of the mother and her kid, the series' central characters, seem to arise from the composition of lines and shapes, in contrast to The Age of Anger<\/em>. The hands embrace and caress the faces as they come together endearingly in the forefront, drawing smiles and innocence. The medium and typically square format of the canvases, along with the color scheme of ochre, yellows, and blues, create a dynamic balance that communicates closeness and care. Although this series is scattered, the Guayasam\u00edn Foundation houses a substantial sample.<\/p>\t\t\n\t\t\t
Share:<\/h5>\t\t\n\t<\/a><\/a><\/a><\/a>\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t $\"\"$ \t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t Available Works<\/a>\t\t\n\t\t
The Chapel of Man<\/em> was a project, declared a priority project by UNESCO, started in 1996 by a Quite\u00f1o-based artist and is regarded as a love song to America. It acknowledges and exalts the Mayan-Quich\u00e9, Aztec, Aymara, and Inca cultures by recalling their cosmology, symbolism, sacred texts, flora, and wildlife. Guayasam\u00edn\u00a0 also discusses the violent uprooting of Afro-descendants from their land into slavery and the anguish of mothers looking for their children who vanished under the dictatorship, among other bloody events of conquest, and despotism. Examples of such events include the death of the original inhabitants in the infamous Potos\u00ed hill mines and their enslavement. Early works by the Ecuadorian painter, a few pieces from the Huayca\u00f1\u00e1n <\/em>series, pieces from the Age of Anger <\/em>series, and a few examples of the Age of Tenderness<\/em> series may all be found in The Chapel of Man<\/em>. All of these images come together to create a hymn that builds in hope for the triumph of human rights from the clamorous scream of the earth's dispossessed to a crescendo. The Chapel of Man<\/em> is a revelation of the spirit of the Ecuadorian painter who calls out, \"Keep a light on, I will always come back.\" It is the culmination and legacy of the artist.<\/p>
Large-scale portraits, murals, flower still lifes, landscapes, watercolors, engravings, sculptures, and jewelry designs are all works by Guayasam\u00edn. The artist, who was born in Quito, held more than 200 significant shows all around the world. The Quite\u00f1o painter also depicted many of the most well-known individuals in the spheres of politics, art, literature, music, actors, thinkers, and even some members of the European nobility, in addition to his loved ones.<\/p>
There aren't many painters in America as potent as this non-transferable Ecuadorian<\/em>, the poet Pablo Neruda once said of his friend Guayasam\u00edn. The Quito-born painter, who holds a prominent position in Ecuador's second half of the 20th-century cultural scene, was the most notable artist of his generation. His political stance and aesthetic conceit are evident in each of his plastic motions. Guayasam\u00edn stated that the purpose of his paintings was to hurt, itch, and strike at the hearts of viewers. To demonstrate what Man can do to Man.<\/em>\u00a0<\/em><\/p>
According to Ecuadorian author Jorge Enrique Adoum, the great murals in Guayasam\u00edn vibrate with echoes of Michelangelo's tortured spirit in His Last Judgment, the horrifying scenes in Los Desastres de la Guerra<\/em>, the drama in Goya's Los Fusilamientos del 3 de Mayo<\/em>, and the explosive avant-gardism in Picasso's Guernica<\/em>. One of the greatest artists of the 20th century, along with the Mexican Rufino Tamayo and the Brazilian Candido Portinari. Guayasam\u00edn chose for his painting the palpable and visible reality of his continent, the tears on the faces of the dispossessed of the earth, and the traces of the infamy that war and injustice left on the margins of the world, while Lam painted the American jungle with its spell of vegetable demons and Matta reaffirmed in Europe the reality of the imagination and dream of Latin America.<\/p>
Guayasam\u00edn's contribution consists in depicting the drama of human suffering, the condemnation of social injustice, and the fight for human rights and turning them into the raw materials of his art through his unique vision of history, challenging the viewer and putting what he typically wants to avoid in front of him. The Ecuadorian maestro adopted the figurative expressionism language and gave it his forms, textures, and colors by filtering it through his technique and sensibility. He was able to evoke at the same time the ancestral roots of the continent, the roughness of the avant-garde, and the wisdom of the great masters of Western art, constituting his work in coherent bodies. Beyond a remnant of the ideological-political Manichaeism that was prevalent at the time, the outcome of this synthesis is a solid artistic work that addresses universal themes that probe the viewer's very existence: pain, violence, death, outrage against injustice, motherhood, tenderness, and love make the master Guayasam\u00edn's work transcend time and space.<\/p>","post_title":"Oswaldo Guayasamin","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"guayasamin-en","to_ping":"","pinged":"","post_modified":"2022-08-23 12:38:44","post_modified_gmt":"2022-08-23 17:38:44","post_content_filtered":"","post_parent":0,"guid":"https:\/\/emblematicartgallery.com\/?post_type=cpt_portfolio&p=19059","menu_order":0,"post_type":"cpt_portfolio","post_mime_type":"","comment_count":"0","filter":"raw"}],"post_count":8,"current_post":-1,"before_loop":false,"in_the_loop":false,"post":{"ID":21124,"post_author":"9","post_date":"2026-06-10 09:23:08","post_date_gmt":"2026-06-10 14:23:08","post_content":"
<\/section>Visual artist graduated from Universidad de los Andes (2015), with an MFA from the California Institute of the Arts (CalArts, 2018) and an MFA in Painting from Bard College, New York (2019). Her career has been recognized through various awards and grants, including first prize in the Fondo de Cultura Econ\u00f3mica Poetry Competition in Mexico (2022), the Felix Gonz\u00e1lez-Torres Fellowship for artistic research, and the Artistic Creation Project Development Grant for Young Visual Artists awarded by Colombia\u2019s Ministry of Culture (2021). She has participated in group exhibitions at venues such as the Bogot\u00e1 Chamber of Commerce, Galer\u00eda Santaf\u00e9, Galer\u00eda Neebex, and Proyecto Binario.<\/p>\n
Her artistic practice approaches vulnerability through feminist and gender studies perspectives, questioning imaginaries associated with security, sovereignty, and invulnerability. Through research- and creation-based projects, she explores issues related to sexual and gender-based violence in Latin America. Alongside her artistic work, she maintains an extensive academic practice as an educator and cultural manager. She currently teaches in the Visual Arts Program at Universidad El Bosque, where she leads continuing education initiatives and external engagement programs.<\/p><\/section>\t\t\n\t\t\t
Compartir:<\/h5>\t\t\n\t <\/a><\/a><\/a><\/a>\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t $\"\"$ \t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t Available works<\/a>","post_title":"Carolina Fandi\u00f1o","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"carolina-fandino","to_ping":"","pinged":"","post_modified":"2026-06-18 11:08:22","post_modified_gmt":"2026-06-18 16:08:22","post_content_filtered":"","post_parent":0,"guid":"https:\/\/emblematicartgallery.com\/?post_type=cpt_portfolio&p=21124","menu_order":0,"post_type":"cpt_portfolio","post_mime_type":"","comment_count":"0","filter":"raw"},"comment_count":0,"current_comment":-1,"found_posts":8,"max_num_pages":1,"max_num_comment_pages":0,"is_single":false,"is_preview":false,"is_page":false,"is_archive":true,"is_date":false,"is_year":false,"is_month":false,"is_day":false,"is_time":false,"is_author":false,"is_category":false,"is_tag":false,"is_tax":true,"is_search":false,"is_feed":false,"is_comment_feed":false,"is_trackback":false,"is_home":false,"is_privacy_policy":false,"is_404":false,"is_embed":false,"is_paged":false,"is_admin":false,"is_attachment":false,"is_singular":false,"is_robots":false,"is_favicon":false,"is_posts_page":false,"is_post_type_archive":true,"thumbnails_cached":false}}}